I collect everything I think I can carry.
I investigate how sites and bodies hold traces through matter, gesture, and shifting intervals.
Across installation, composition, drawing, text, moving image, and sculpture, I attend to sedimented temporalities, hydrological cycles, and latent narratives embedded in landscapes and substance. Each process develops through interacting with mineral residues, acoustic traces, sensory writing, machine-trained image mutations, and embodied movement.
Sound operates as vibration and relational intensity. Due to a fragmented hearing spectrum, perception shifts toward interference, proximity, and resonance fields. This informs how I attend to environments and compose spatial constellations.
In installation, I dive into the depths.
I rummage through material to render the ineffable tangible.
In deconstructing the matter, I let myself fall.
Words and images
merge, distinctions dissolve
in flickering darkness.